Lots of recent discussion on TV and Hollywood. Ari Emmanuel accuses Google (again) of aiding and abetting pirates. Henry Blodget writes a nice piece on the changing TV viewing habits of consumers. Dan Frommer says those changing habits won’t really affect the MSOs and Networks anytime soon. And Jeremie Allaire seems to claim that Apple’s next move in TV will be to emulate TiVo’s (largely failed) box/cable-card strategy (but correctly points out the disruptive power of AirPlay). Oh, and Sean Parker launched version one of AirTime.
I wanted to add a few points to the discussion about the pressures on the TV industry. First, some basic observations:
TV programming is not homogenous
The uber-bright Hunter Walk provided me with a fascinating view into his opinion of the real tiers of TV programming. Out of the 4-5 hours of TV the average household watches each day, there are essentially three tiers:
- Hour 1 (No Substitute) – This is the never-miss-an-episode, live-sports, must-see-TV that exists across many networks. The Sopranos, Mad Men, Yankees/Red Sox, French Open, Homeland, etc. When we watch TV, this is the first hour we watch. We watch this stuff live or DVR it and try never to miss it. We will pay for it any way we can and even endure roadblocks to watch it (like when networks won’t make it available on our preferred viewing device, or expire old episodes, etc.) While the networks believe 80% of their content fits this description, it is probably more like 20% of all shows currently on the air, at most.
- Hours 2-3 (Nice to see) – This is stuff that we have an allegiance to, but are comfortable missing an episode and won’t really endure friction to see it. Many comedies fit this category, from 30 Rock to The Simpsons, as well as the countless procedural crime dramas like CSI, etc. The networks think all of this content is in the category above, but it really isn’t. And probably another 30% of all shows on the air fit this category.
- Hours 4-5 (Filler) – This is the low-budget, mostly reality show programming that networks use to fill the time between their one or two hit shows. Think Kate Plus 8 or Let’s Make a Deal re-runs. The only time you watch this stuff is when you are couch-surfing. This is probably 50% of all programming on air.
When Ari insists that Facebook, Google, Twitter and everyone else in tech will have to “pay for Aaron Sorkin”, he is really talking about the “Hour 1″ category of programming. That stuff is really high-value and is not in a lot of danger of being disrupted any time soon (although the rising production costs and off-the-charts no-risk fees paid to talent are surely to be reconsidered in the future.) But as for the other two categories…
Our attention is shifting away from TV
All media operates in an attention economy. They compete for our attention against the backdrop of thousands of choices as to how we spend our time: email, video games, Facebook, Twitter, Flipboard, Instagram, etc. The latest numbers show those choices are finally catching up with TV; we are watching less of it, whether DVR’d or not. We aren’t watching less of that incredible No Substitute programming, but we are watching less of the 80% of the other stuff. And by the way, those big “hit” shows that Ari talks about have relatively small audiences. Only about 3 million people “tune in” for an episode of “Game of Thrones” and over the course of a week about 9 million people have seen it through various means. Same for Mad Men (3 million), Desperate Housewives (9 million) and The Good Wife (9 million). That’s a pretty small audience compared to, say, the 450 million on Facebook every day, the 800 million who watch YouTube videos every month, or the more than 100M people who watched the final episode of M*A*S*H. As TV and other entertainment choices proliferate, “hit” audience sizes have decreased. So, one of the immediate threats to network/cable television is that we are likely to watch less and less of the “Hours 2-5″ programming that fills so much of their programming grids. (The smart production companies know this and are already producing much lower-cost, quality programming for YouTube and other online-only outlets.) And where will that lead us?
The pressure will first come from the advertisers
If Nielsen didn’t lie and try to convince TV advertisers that the 50% of people with DVRs still watch commercials (hint: that is utterly ridiculous. We don’t watch any commercials anymore unless we watch a live sports event), I believe advertisers would appreciate that we aren’t seeing their commercials anymore. While the PC and mobile web still don’t offer nearly the great story-telling opportunities for advertisers as TV commercials do, it just doesn’t make sense to continue to buy very expensive TV media when no one sees your commercials. Certainly live sports TV CPMs will go up, but the rest has to fall as advertisers figure this out. And reports detailing that we are watching less TV has to start to sink in. Advertisers would love to try to buy only the hit stuff, but networks are good at bundling to force them to buy the filler programming too. But the whole bundle will start to feel more and more pressure.
The dual revenue stream model of the cable networks provides lots of air cover against decreased ad revenue. The affiliate fees they get for carriage will sustain them for a while. Brand advertisers are looking elsewhere to find places to tell their stories and to reach their audience. And online, we can target viewers and assemble audiences with drastically better efficiency (and reliability) than on TV. Online video is becoming so performance-based, that advertisers now can pay only when someone has actually watched the commercial and not pressed the “skip this ad” button. If you really care about making sure someone sees your commercial, online is the only place to show it. And more and more, we just aren’t seeing the ad on TV anymore.
What’s This Mean?
- Advertisers will begin to spend less on TV and that will be the canary in the coal mine that big changes are afoot
- We will continue our shift away from viewing traditional TV and towards IP-delivered unbundled shows, some which will have migrated from traditional TV, but many that will be organic and native to internet programming (the made for YouTube stuff is a prime example here.)
- Ari will continue to demand high prices for the “Hour 1″ shows created by his elite clients, but the audiences for those shows will grow smaller and smaller.
- As a result, networks will begin to feel the pinch of decreased advertiser spending, and they will try to raise carriage prices to the MSOs more aggressively
- MSOs will keep trying to push our bundled TV prices up higher as a result of this, pushing more and more of us away and into other IP-delivered options
- Finally, I believe the as more of us watch IP-delivered programming, the lure of certainty that the audience you really care about is seeing your ads will prove appealing to more and more advertisers, and online video ad revenues will continue a dramatic ascent
- And so the cycle will go
(Update: this report from Pivotal Research refutes all of Henry’s points…but bases all of its observations on data provided from a single and biased vendor: Nielsen – a panel-based research method that looks at activities of only 25,000 households – and has concluded, for one, that those of us with DVRs still watch ads. Go figure. Oh, they make their money from the TV industry.)
One thing that doesn’t ring true is the bit about advertisers spending less on TV.
As per the WSJ (http://t.co/t2D3LWZ) broadcasters are seeing on average a 4.3% ad increase from last year’s up-fronts and cable is looking at a 6.3% increase. On top of this cable affiliate deals can be very long term…
So the question is when you think what you lay about above may start to happen? Five years from now? Ten? More?
Even Allaire’s excellent vision speaks more to a shifting of viewership from one interface (cable EPGs) to another (TV apps) – but don’t think the latter won’t have ads or require a subscription…
I agree any decrease in ad spend will not happen immediately. But remembering the shift in music and in print, viewer habits seem to change abruptly. If TV viewership declines, say, another 10% – 15% over the next year, yes rates will go up, but total dollars spent may decrease in the year following. So I am thinking more like 2-3 years from now.
Agree with Greg’s point/question here regarding increased spending on Networks and long term cable deals that serve as nice safety net for “some” erosion on the ad side. We also can’t forget that the big ad spenders are still the agencies and they play it “safe” for the most part…meaning they will continue to place ads on TV as their clients will SEE the ads vs. digital outlets and the old adage of “you won’t get fired for buying TV” still applies in many circles.
One nit on the article and I’ve seen this too often, when comparing TV episode viewing like the 3 million for Mad Men or 9 million for The Good Wife to Facebook and YouTube usage, let’s keep it to the same universe. I’m assuming the 450 million Facebook users every day is worldwide since that’s more people than live in the U.S. and the Mad Men/Good Wife numbers are U.S. only. Same goes for YouTube video viewing. I’d love to see an Adults 18-49 number for YouTube videos as I think that would be telling as well.
Good stuff overall.
Totally fair, Joe. I will look for YouTube US-only numbers and correct…
Joe’s point about national vs. global viewing should have gone one step further. It is also unfair to compare one show’s viewers against those of an entire global medium, which I believe Youtube, for example, can be correctly called. A more proper comparison would be to rank Youtube/Facebook’s 1 billion or so global daily viewers against the 4 billion global daily viewers of television.
David – Great post! I totally agree with your thesis. What the TV industry currently lacks is a “farm system” of Internet based studio quality video content.
Traditional studios (Ari Emmanuel’s clients) have the Innovators Dilemma. They can’t produce Internet based “farm system” content because it threatens the existence of the networks, which pay the big bucks for their content. Their hands are tied.
Instead, the traditional studios continue to produce 6-8 episodes of an expensive experimental TV show in order to sell that show directly to the “big league” networks to either succeed or fail. It is an inefficient process with networks and studios unwilling to rock the boat.
YouTube is best positioned to build the “farm system” and capture the opportunity created by the traditional studios’ inability to act. YouTube has the right approach to seed the market with lots of independent producers who can create lots of inexpensive content. If any of that content takes off, then they can professionally produce full series and sell them to the networks (ie, the show will get called up to the big leagues).
Keep your eye out for other Internet based “studios” like YouTube because that is where disruptive content will come from. Netflix, Hulu and Amazon are slowing shifting their models from Internet based “distributors” to “studios” but YouTube is several steps ahead in this race. I think there will be additional companies that emerge as leaders in this segment (Facebook? Kickstarter? Machinima?).
Someday there will be enough hit content that the viewing habits will shift to must see “Internet content,” advertisers will pay less to networks, networks will pay less for traditional studio produced content, and traditional studios (and people like Ari Emmanuel) will actually consider producing shows for the Internet. At that point, they will be in catch up mode.
The end result will be that there will be more Internet based shows, the vast majority will be lower quality content, but the break-out winners will capture a ton of attention and investment and will produce really high quality content all distributed without the networks (and possibly without traditional studios) involved.
One last thought, I am looking forward to the day when I buy my triple play from Apple, Facebook, Amazon, or Google and it is completely connected to my digital life. Maybe I am just dreaming….
[...] via The Pressure on TV Networks, Ari Emmanuel and Cable Companies | Disruption: David Pakmans Blog. [...]
David, thoughtful and insightful as usual. Thanks for baking out all these thoughts.
Ideally we understand all the points of attention across different devices and services 24/7 365 so content creators can realize the value of what they create. As you know our (Trendrr) premise is to understand just that, and help media be valued that way.
Also valuing media based on engagement on top of potential reach can help the economic model.
Looking at Jason’s comment above – he hits on a key premise of cost savings that can help recalibrate the production pipeline and associate costs. Anyone who has heard me natter on about how this is a transformative time for the TV industry knows that I think of this as an opportunity to grow the audience, and compete for the discretionary media time of the ‘consumer’ vs a fully disruptive end of the world scenario that is often spouted.
I am going to refrain from addressing Ari’s talk at D his points are salient for his business and market views. What excites me is the green field opportunity that thinking creates !
I will say that one of the biggest shout downs during the disruption of the music industry was labels saying the audience would not stand for having sub multi-million dollar production and production values in their music.. when in fact the audience did not care how much it cost to produce a song or show. Good is good, a hit is a hit.
We put out a report today that looked at a sweeps week this year vs last, ratings where down, but engagement is up, one contributing factor is the consumption has jumped off the 1st screen and that is still not being accounted for completely by us or anyone. Go into any room filled with teenagers and ask them how many have watched X show – and then ask them how many subscribe to that channel or even have a TV!
So the affinity and the consumption is there but the value is not being realized – this is a Napster moment for sure.
Thanks for the great perspective, Mark. Can’t wait to check out that report.
David;
Good piece and directionally you are absolutely right; but this is very similar to pricing trends we saw between 1990 and 2000 when despite eroding share from broadcast to cable, broadcasting cpms did NOT deteriorate – thus affirming that in the land of the blind the one eyed man is king. Problem continues to be one of reach versus frequency, with TV model still based on reach and internet model bouncing around frequency. IF GRPS (Gross Rating Points are a function of reach x frequency) issue still is how to price – which is the essential internet marketing conundrum; and incidentally is at the heart of the Facebook monetization of engagement issue. Everybody knows there is value in a recommended lead – just a question of what mechanism you use to exrtract it. Most interesting model I have see is still IMHO – social based dashboard that allows advertsers to bid in real time based on viral popularity of video, but trying to get the agencies to change the model is real tough and unlikely to change for a while. Trust all is well.
Much of the modern propaganda on the supposed direction of TV in general, is questionable. I question the current state of affairs in television, as it continues on its current path of trying to “put the genie back in the bottle”. The bulk of all premium content is offline. Meanwhile, pirates run unchecked for the most part. Those who don’t watch pirated content; watch less and less, and spend more time on other online activities. I understand the need for premiering, and windows. But this isn’t how audiences are built. We have a better way. http://www.linkedin.com/in/networkx
IMHO the further we get in the growing online video war the more subscription based models seem like the eventual winners. Other than banner ads I don’t watch ads on the internet either – probably less than TV. And I would pay a small monthly fee to not see ads if the content is quality. I think that’s the way most people are feeling these days (call it the Netflix effect).
And it kinda troubles me that you mention popular shows like “Mad Men” etc only getting 3 million views and THEN comparing that number to the entire user base of a web site like Facebook or YouTube – or one of the highest rated TV episodes of all time. Does that really make any sense? Just because people are doing something that isn’t watching TV it doesn’t mean they are disrupting TV. We could say TV is disrupting streaming video because there has not been a stream on the level of The Royal Wedding in nearly a year. Maybe never again?
How often does an hour long original YouTube video get a million views? The answer is practically never – even with 800 million users. In fact a video that last longer than 10 minutes on YouTube will rarely get a million views. Again – even with 800 million viewers. To me this is what is not functioning properly.
Popular TV shows are losing views to other popular TV shows. Indie networks have stepped up to the plate and can now often compete with the major networks. There are a lot of TV shows competing for our viewing time. I don’t think online video is having that dramatic of an impact on TV yet. At least not ad based online video with original content.
Very cogent thinking. On-line video advertising is already 5% of all video advertising and growing at nearly 50% per year. Locked in up-front spending, the Olympics and the election will buttress traditional television advertising for a while, but CPMs for on-line video are 30-40% higher than broadcast TV and the on-line players are getting far more savvy about packaging and marketing their products to compete. I suspect you will see TV ad spending down in 2013 as the self-reinforcing cycle of eyeballs to ad dollars to content availability to eyeballs plays out. For the broadcast networks, ad spending is 90% of revenues and it is nearly 50% for the average cable network (excluding espn). Meanwhile, Kagan and others are projecting cable video ARPUs rising 3-4% per year ad infinitum. The average cable bill is already 2.5% of disposable income for the average family, with health care and higher education growing even faster and making a bigger claim. Something will have to give.
This is very insightful, but…
First,
I really really hate panel data, but I also hate rejecting flawed but useful data because it says things I don’t want to believe are happening. I’m also uncomfortable with accusing people of lying if their work doesn’t align with my own preconceptions. Preferring the personal experience of an early adopter to actual data, even survey data, is risky.
And in fact, the Nielsen observation on TV consumption is mirrored by the data that comes out of platform owners both in the USA and Europe. Pay Platform owners in the UK see pretty much the same patterns. People use PVRs, up to a point, but total PVR use is never more than 10-15% of total use even in the PVR base. There is no robust reason to believe that linear viewing overall is falling.
Second, the PVR feels like a very 20th century device. I can’t imagine Steve Jobs creating one today. If we all move to OTT streaming through apps then we lose that control, surrounding the playback UI to whoever created the app. Is the NBC app on the Apple television going to have a ‘skip the ads’ button? I doubt it.
In other words, the PVR (which is the only way to enable ad-skipping) feels like an expensive transitional device that will be replaced by cloud streaming with un-skippable embedded ads. Same bundles, same ads, different delivery platform.
An interesting line of analysis, on the other hand, is to look at just how unique the US market is. 85% pay penetration versus at most 45% (UK) in other markets, plus much higher monthly pricing. CAGR for US cable bills is uniquely high. The result is that far more Americans have cable without really wanting it and while resenting the price than is the case anywhere else. But of course, market anomalies like that can continue for decades.
Benedict,
Thank you for calling me out on my clear biases here. And you are right…I don’t support my attack on Nielsen with any data. But I want to point out that your defense of them does not include any either. My point about them was they are claiming TV commercial views are unaffected by DVRs. That just cannot be true across the 50% of people who have DVRs. My conversations with TiVo years ago did not support that. If their panel data shows it is true, this may be an example of the failure of the panel approach, since so many non-scientific polls (http://www.aoltv.com/2010/12/22/do-you-skip-commercials-on-your-dvr/) show 60% of people with a DVR skip commercials.
David
David – Fair point on data. This chart is immediately to hand at 8 PM: http://cl.ly/HCdW , showing the scope of PVR use in the UK (this only shows viewing on the TV set, so excludes web catchup etc). Again, panel data. But my colleague who writes books on this stuff is happy with it. (He was head of new media at JTW when ‘new media’ meant ‘colour’.)
As I read the Nielsen data, they’re claiming that as PVR penetration (subsidised and pushed by cable companies) expands, it covers households that care much less about it and so use it (and all associated features) less. That seems reasonable – it’s just a question of degree.
My broader point is that I think your ad-skipping narrative assumes the PVR, controlled by someone who isn’t a TV network and so allows ad-skipping, will remain a dominant consumption channel. That might not be the case. Does Hulu let you skip ads?
I can see how reasonable people could assume that as the DVR just comes standard, not everyone will skip commercials. But the data for “do people like TV commercials” doesn’t bode well for that fact. My bigger point is not that people won’t ever see commercials again. (Of course they will.) It’s that ad revenue is likely to drop eventually (2-4 years) as all of these effects accumulate.
Where goes ESPN goes entire TV industry.
Most disruptive non-technical thing Apple could do is buy Disney, then unbundle ESPN amd sell it direct.
Of course technically only fat pipe can deliver 3M+ synchronous views, so not possible unless Apple owns a fat pipe.
FTC would probably block this.
Technically, most disruptive thing Apple could do is unbundle individual titles from within Apps on Apple TV devices, then let Genius deliver to users.
Great comment from @niallsmart on Twitter I wanted to pass on here:
“@pakman seems to me a new tier of TV hours will emerge – internet video. I guess you imply that but it’s worth calling out /cc @hunterwalk”
Yes, my point (it’s really Hunter’s to be fair) is that internet-delivered programming, *today* can and is competing with “hours 2-5″ and it will do that more and more so.
Another great point, this one from @iancr:
“Excellent re: TV’s future via @pakman: http://t.co/ycRPsuJY I agree but think the end is a long way away based on what we’ve seen in music.”
Fully agree. These things take forever to get worked out, however once revenue starts falling, policies change (i.e., as soon as DVD sales passed their peak, Netflix and Amazon got licensed…)
Great piece, you do a nice job of weaving together all the recent buzz into a coherent story.
A few comments.
NIELSEN: You’re falling into the Blodgett trap, something I’ve called “NASCAR Blindness” (based on Madison Avenue’s failure to realize the audience for NASCAR as no one they knew actually liked it.) – there are stats out that show ad-skipping declines every year. Grabbing the remote at every commercial break and fast-forwarding to the exact spot the show starts up again is early adopter behavior. I can see how less tech-savvy DVR users would regard that as not worth the hassle.
PIPES: Given the degree to which the major pay-TV providers are also the major internt providers (with Uverse and FIOS, the numbers are somewhere over 90% of users get both) they can make life very hard for cord-cutters and for anyone (Apple) trying to start up a web-only MSO. Higher prices for broadband-only connections, bandwidth caps, limited speeds for web-only customers… there are alternatives, but none have the capacity and speeds of cable and telco providers.
COMMERCIALS: A more likely scenario, one we’re betting on (we being KIT digital) is that (a) second screen/social TV apps will evolve into a single provider-supplied social EPG that also functions as a remote control. That will allow for a new ad model where :30 branding spots on the TV run in sync with more in-depth, direct response type ads on the second screen app. We don’t see people clicking to buy things during a show (too time consuming) but bookmarking for later by tapping on an icon is definitely an option. The Social Program Guide will also have individual accounts for every family member (that way they get to see their own social media data) and so your friends at Nielsen will finally be able to go that last step and know who in the house is watching what show and whether the people acting on the Honda commercial were 18 year old boys or 45 year old women.
“FIRST HOUR SHOWS”: This is a great analogy that applies throughout the TV ecosystem: some cable networks are doing much better, others are doing much worse: it’s not a one-size fits all proposition. Ditto “social TV” – sporting events or reality game shows like AI, both of which have lots of natural breaks as well as winners and losers, are far more likely to see people chatting and tweeting and playing games than a drama like Game of Thrones which, for most, demands full attention – chatter for those sorts of shows is likely to happen in the 10-15 minutes following the show as fans compare notes. It’s also worth noting that the audience for most of the “First Hour” shows you mention consists of the early adopter crowd that has the money to download those shows off iTunes or stream them on an iPad. That sort of bifurcation is, as another commenter pointed out, yet further evidence of the bifurcation of US society in general, the sort of stuff Charles Murray examines in “Coming Apart”
@Benedict Evans: the stats you site for US vs UK pay penetration: is that 80% of US households or 80% of US TV owners? Fascinating stat
[...] as Venrock’s David Pakman, YouTube’s Hunter Walk and lots of others point out, your TV programming guide isn’t [...]
[...] as Venrock’s David Pakman, YouTube’s Hunter Walk and lots of others point out, your TV programming guide isn’t dominated [...]
[...] Real Weak Spot (Hint: It’s Not “Game of Thrones”),” David Pakman’s “The Pressure on TV Networks, Ari Emmanuel, and Cable Companies,” and Mark Suster’s “The Power of Torso TV (Why Media is Racing to the Middle)” [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] 最初にどこで聞いたのか忘れたが、YouTubeの製品担当ディレクター、Hunter Walkは、人々のテレビ視聴方法に関する理論を持っている。要約すればこんな感じだ。人々は一日5時間テレビを見ていて、一般にそれは3つのカテゴリーに分けられる。第一のカテゴリーは、絶対に見るテレビ番組で、これが1時間目。第二が「見られたらいい」番組でこれが2、3時間目を占める。そして最後が、基本的に時間潰しで、人々はテレビの前にいるが積極的には関与していない。 [...]
[...] where I first heard about it, but YouTube Director of Product Management Hunter Walk has this theory about how people watch TV. Paraphrasing, it goes like this: People watch five hours of TV a day, and you can generally break [...]
[...] I blogged about Hunter Walk’s view that TV content sits in three main buckets, No Substitute, Nice to see, and Filler. If you want to be an MVPD, you must have the No Substitute and the Nice to see content. Sure, you could try to operate a service without the Filler, but that is not how programming is sold. It’s sold by the channel, and each channel has its mix of each of the three tiers above. (Actually, it is sold as a package of channels, to be more precise. If you want MTV, you must also take Logo, etc.) Whenever an MVPD gets in a rate dispute with a programmer and the channels get pulled, the customers go crazy, put huge pressure on the MVPD, and start switching services. The MVPD generally gets beat. This is why Comcast bought NBC…to finally have some hedge protection against the power continuing to concentrate in the hands of the programmers. So, in traditionally delivered TV, the power is in the hands of programmers. I am told the NFL Sunday Ticket deal leaves DirecTV with essentially no margin in ways similar to online music rights deals. [...]
[...] blogged about Hunter Walk’s view that TV content sits in three main buckets, No Substitute, Nice to see, and Filler. If you want to [...]
[...] The Pressure on TV Networks (Pakman) - With Ari Emmanuel having some thoughts on how internet and TV are connecting, this writer has some ideas on where TV is headed and who it impacts. [...]
[...] contains no advertising and is available entirely on-demand. This content falls into the “non-substitutional” content bucket. To watch it, you don’t need to be a cable TV [...]
[...] content contains no advertising and is available entirely on demand. This content falls into the “non-substitutional” content bucket. To watch it, you don’t need to be a cable TV [...]
[...] contains no advertising and is available entirely on demand. This content falls into the “non-substitutional” content bucket. To watch it, you don’t need to be a cable TV [...]
[...] contains no advertising and is available entirely on demand. This content falls into the “non-substitutional” content bucket. To watch it, you don’t need to be a cable TV [...]
[...] contains no advertising and is available entirely on demand. This content falls into the “non-substitutional” content bucket. To watch it, you don’t need to be a cable TV [...]
[...] content contains no advertising and is available entirely on demand. This content falls into the “non-substitutional” content bucket. To watch it, you don’t need to be a cable TV [...]